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As time goes on, I realize more and more that, beginning in the early 30's, David Smith began setting the precedent for what was to come later for many of us. Kenneth Noland
Clem had made it known that Pollock was a great painter. Kenneth Noland
Context begins with other artists - seniors and mentors. Kenneth Noland
For me context is the key - from that comes the understanding of everything. Kenneth Noland
I met David Smith through my former wife, Cornelia, who'd studied with him. Kenneth Noland
I paint my paintings directly. I almost never paint over. This maintains the attention of the picture for me, my contact with what I am doing. Kenneth Noland
I think of painting without subject matter as music without words. Kenneth Noland
I've also been willing to share any help that I could give to any other artist. Kenneth Noland
In the '50s Morris Louis and I were not known, David Smith and Helen Frankenthaler were not much known. Kenneth Noland
That's the way I work. Usually I start by fooling with the stuff, make messes. Sometimes something comes out of it; sometimes it doesn't. Kenneth Noland
Usually I throw away what I don't get right the first time. Kenneth Noland
With artists of my own generation there was at first no group identity - and never a clique. Kenneth Noland